RELIGION
RELIGION IS
IRRATIONAL -- by the irrational and for the
irrational. Reason cannot contain it; reason is so small.
Religion is the vast sky of existence. Reason is a tiny
human phenomenon. The reason has to be lost, has to be
dropped. Only by going beyond the mind does one start
understanding what is. That's the radical change. No philosophy
can bring that radical change -- only religion. Religion is
non-philosophic, anti-philosophic, and Zen is the
purest form of religion. Zen is the very essence of
religion. Hence it is irrational, it is absurd. If you try
to understand it logically you will be bewildered. It can
only be understood illogically. It has to be approached in deep
sympathy and love. YOU CANNOT approach Zen through
empirical, scientific, objective concepts. They all have to
be dropped. It is a heart phenomenon. You have to feel it rather
than think it. You have to BE it to know it. Being is knowing.
And there is no other knowing. That's why religion has to
choose a different kind of language. Religion has to talk in
parables, in poetry, in metaphors, in myth. Those are indirect
ways of hinting at the truth -- only hinting at the truth, no
direct pointing; just whispering, not shouting. It comes to you
in a deep rapport. These small poems of the Zen master,
Ikkyu, are of immense importance. They are not great poetry,
remember, because that is not the concern. The poetry has
been used as a device, so that yom heart can be stirred. The
poetry is not the goal. Ikkyu is not concerned with creating
great poetry; he is not really a poet, he is a mystic. But
rather than speaking prose, he speaks in poetry -- for a
certain reason. The reason is: poetry has an indirect way of
hinting at things. Poetry is feminine. Prose is masculine.
Prose, the very structure of it, is logical; poetry is
basically illogical. Prose has to be clear-cut; poetry has
to be vague -- that's its beauty, its quality. Prose simply
says what it says; poetry says many things. Prose is needed
in the day-to-day world, in the marketplace. But whenever
something of the heart has to be said, prose is always found
inadequate -- one has to fall back to poetry. There are two
languages in language. Each language consists of two languages:
one is prose, the other is poetry. Prose has become very
predominant because it is utilitarian. Poetry has disappeared by
and by, because it has no utility. It is needed only when
you are in love. It is needed only when you are talking of
love, death, prayer, truth, God -- but they are not
commodities. They are not sold in the marketplace, they are
not purchased either. Our world, slowly slowly, has become
linear. The other language, the deeper language, has lost
its meaning for us. And because of the disappearance of the
second language, the language of poetry, man has become very
poor -- because ALL richness is of the heart. Mind is very
poor, mind is a beggar. Mind lives through trivia. The heart
is an opening to the profundities of life, to the depths of
existence, to the mysteries of cosmos. Remember this there are
two languages in language, two ways of speaking, two levels
of linguistic usage. There is a language of clear truths,
concepts and formulas, the language of pure logic,
objective information, exact science. But that is not the
language of the heart, and that is not the language of love,
and that is not the language of religion. Science and religion
are diametrically opposite. They belong to different
dimensions of existence. They don't overlap each other's grounds,
each other's fields. They simply never meet! They don't
criss-cross. And the modern mind has been trained for science,
hence religion has become almost out of date, of the past.
There seems to be no future for religion. Sigmund Freud has
declared that there is no future for the illusion called
religion. But if there is no future for religion, there is no
future for man either. Science is going to destroy humanity
-- because humanity can live only through the poetic, the
metaphoric. Life gathers significance only through the heart. Man
cannot live by mind alone. Man cannot live by calculation,
mathematics alone. Mathematics can serve, but cannot be the
master. The head can only be the servant, and as a servant it is
very useful; but when it pretends to become the master it is
dangerous, it is fatal. The language of objective science
lives in the world of facts. Things are as they are; you say
what you mean, as precisely as you can, and as unequivocally.
Speaking, then, is deciphering a puzzle, defining, prescribing
limits -- this is this, not that. It is water, not steam and
not ice. Here is here, not there. One is one, two equals two,
dead is dead. This is the world of facts -- dull and dead,
stale and stagnant. It is impossible to live just in the world of
facts, because then you will never be able to relax. In
fact, it is meaningless to live in the world of facts --
from where will you get the meaning? from where will you
get the value? Then a rose has no beauty; it is only a
botanical fact. Then love has no splendor; it is only a
biological fact. How can one live in facts? Living in facts, life
starts becoming meaningless. It is not an accident that the
modern philosophical minds are talking continuously about
meaninglessness. We have created it by deciding to live only
in one language -- the prose language. It is a good thing that we
have this language, the language of facts, the language of
prose. Our world cannot do without it, true. It is
needed, but it Can't be the goal of life. It can only serve.
But we never use it when we Want to pour out our hearts and
say what is really in us, hidden and almost impossible to name. A
man is certainly poor if he has not felt the inadequacy of
ordinary language. If there is somebody so unfortunate that he
has not felt the inadequacy of ordinary language, that simply
shows he has never felt love, he has never felt any
meditative moment, he has not known ecstasy. His heart beats no
more; he is just a corpse. He lives and yet lives not. He
moves, walks, but all his gestures are empty; they contain
nothing. If a man has not felt the inadequacy of the prose
language -- the empirical language, the language of facts,
mathematics -- that simply shows that he has not experienced
any mystery of life, that he has not been living really.
Otherwise, how can you avoid the mysteries? That he has
never seen the full moon in the night; that he has never
seen the beauty and the splendor of human eyes. That he has never
laughed, that he has never cried; that he does not know what
tears signify. That he is a robot. He is not man, he is not
human -- he is inhuman. He is just a machine. He works, he
earns, and then he dies. He reproduces and then he dies. But in
vain -- he cannot say why he lived in the first place. It is
true that this kind of language is needed, it is a need, but
even if all the needs are fulfilled, the ultimate need
remains unfulfilled by it -- the need to celebrate, the need
to rejoice; the need to have a dialogue with the stars and the
ocean and the sand; the need to hold hands, the need to fall
in love, the need to dance and sing. The ordinary
language cannot fulfill that ultimate need, and that
ultimate need is what is specific to humanity. A man is man
only in so far as he lives in that ultimate need. In questions of
love and death and God and man, the first language is not
only inadequate but also dangerous. If you use the first kind
of language for the ultimate concerns of life, by and by
your very language will destroy them. That's how we have
destroyed God. That's how we have destroyed all that is beautiful
and significant. Use wrong language and sooner or later you will
be trapped by the wrong language, because your mind lives through
language. You know only that which comes into your language; you
know only that which you can clearly think about. If you have
dropped the vague world of heart, the vague world
of feelings, sensations, emotions, ecstasy, then naturally
you are closed to God. And then if you say God is dead, it
seems to be absolutely true. Not that God is dead -- only
you are dead towards God. To be alive towards God is to move into
poetry. Poetry is the rainbow bridge between man and
God, between man as mind and God as mystery. That is the
opening, the door, the threshold. Have you ever seen
Khajuraho, Konarak, or other beautiful temples of India? In
the old scriptures it is said that on each temple's threshold
there should be a statue, a sculpture of lovers. It is very
strange. Those scriptures don't specifically say why; they simply
mention it for the architects, that it is a must. On each
temple's threshold, on the door, there must be at least one
couple in MAITHUNA -- in orgasm, in deep love, their limbs
intertwined with each other, in great ecstasy. Why on the door?
Because unless you know love, you cannot know the bridge
between man and God. And the door is a symbol: the door is
the threshold between the world of mind and the world of
no-mind. It is love that bridges the world of mind to
no-mind. It is only through love that we come to know the
orgasmic mysteries of life. It is very significant -- although
many temples are not built that way. People have been avoiding
it. They are too moralistic and stupid. But the ancient
prescription is of great significance: only love can be the
threshold, because only love will make your poetry alive. If you
use only the first kind of language, you will be destroying
something very delicate in you. You will become more and
more accustomed to the rocks and less and less aware of the
flowers. But there is a second language, deep below the first,
like a much older structure wide around the first. It is the
language of what cannot really be said. Yes, poetry is the
language of what really cannot be said. Still it HAS to be
said . There is an urgency to say it -- and poetry is the
language of that which cannot be said. That which can be said can
be said through prose. How will you say that which cannot be said
if you don't have poetry? It is the language of what cannot
really be said, that language that you speak so as not to
have to be completely silent, the language of emotion and
ecstasy.
Take it Easy
Vol#1 Chapter#1 Back from the leaky road
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Introduction Over a thirty-five year period hundreds of thousands of people from every walk of life were drawn to Osho. They asked questions, he answered. They read sutras to him, and he talked about them. The talks were recorded, and later filmed on video, transcribed into hundreds of books and translated into dozens of languages. |
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In the process, every tradition in the
history of consciousness has been revisited for
contemporary people. As each is teased apart and
explained in the modern context, we can find the
essential thread running through our history down to each
one of us today. From the meaning of life and death to
the struggles of power and politics, from the challenges
of love and creativity to the significance of science and
education. What is this mystery called existence? Where
did meditation come from? Can we learn anything from
Taoism? What is happiness? Why am I discontented? Where
did my guilt come from? What is hope? Who am I? |
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